Harriet Tarlo and Judith Tucker

Biography

Judith Tucker is a painter whose. practice explores the meeting of social history, personal memory and landscapes; it investigates their relationship through drawing, painting and writing. Her latest work is collaborative and interdisciplinary. Her work addresses major questions of ecological importance through contemporary collaborative cross-disciplinary practice in poetry and fine art.. She is vice-chair of Contemporary British Painting and was. selected to represent this group of painters in China for a four-museum show of Contemporary British Painting. Her two current collaborative projects Projectfitties and Outfalls have involved extensive creative work with communities. In 2018 and 2019 she was a finalist in the Jackson’s Painting Prize and in third time lucky in 2020, she was awarded the Scenes of Everyday Life category prize. In 2020 she was shortlisted for the New Light Prize and in 2019 she was shortlisted for the first Westmorland Landscape Prize exhibition. In 2018 she was selected to be one of ten UK artists exhibiting in the inaugural Yantai Biennal, China. Other exhibition venues include Arthouse1 and Collyer Bristow London and many regional galleries throughout the UK, and further afield in Iasi, Romania, Gdansk, Poland, Brno, Czech Republic, Vienna, Austria, Minneapolis and Virginia USA and Yantai, Nanjing and Tianjin in China.  As well as being in her studio, Senior Lecturer in the School of Design at the University of Leeds.

Harriet Tarlo is a poet and academic with interests in landscape, place, environment, ecology and gender and extensive critical and creative publications. Her renowned anthology The Ground Aslant is taught extensively and regarded as a key intervention in the field of Radical Landscape Poetry and ecopoetics. Working closely with collaborators, especially the visual artist and academic, Judith Tucker, she engages in place-based projects with extensive local engagement and national and international exposure (China; the U.S.; Belgium; France; Poland; Romania). These have been gathered under the title, “Landscape / Art / Poetry in the Anthropocene” and selected as an Impact Case Study for REF 2021. This work has been funded by the Arts Council; the British Council, HEIF funding; North East Lincolnshire Council; Arts Meridian; Louth Navigation Trust and Sheffield Hallam and Leeds Universities. She is s Professor of Ecopoetry and Poetics at Sheffield Hallam University .

See Judith and Harriet’s Lockdown Interview here -

About this work

This book comprises a selection of paintings and poems from the series: behind land, and is an extension of a collaborative commission funded by the Arts Council and curated by Linda Ingham as Excavations and Estuaries. The work responds to a part of the North East Lincolnshire coast that might be considered the epitome of a landscape in which the human and non-human are interconnected and entwined. It is a place that invites questions about what is natural, and what is unnatural